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Six Finger Satellite (a.k.a. 6FS) are an American synthesizer-based post-hardcore band, based in Providence, Rhode Island. == History == The band formed in 1990 around a line-up of J. Ryan (singer/keyboards), John MacLean (guitar), Peter Phillips (guitar), Chris Dixon (bass), and Rick Pelletier (drums). They infamously submitted an "alternative rock"-styled demo to Sub Pop Records, who subsequently signed them under the impression that this represented the band's musical intentions. The demo was the four-song ''Weapon'' EP in 1992. Six Finger Satellite's first full-length album, ''The Pigeon Is the Most Popular Bird'', was released in 1993, with Kurt Niemand replacing Dixon on bass. The record more accurately represented the band's vision of noisy, cyborg-esque post-punk, and was recorded by Bob Weston, whose band Shellac named their 1994 single, ''The Bird is the Most Popular Finger'' in tribute. In 1994, 6FS released the ''Machine Cuisine'' EP, which was recorded entirely with synthesizers, suggesting the band's future direction. Their 7" single supposedly recorded "live at the A.C.I." was not actually recorded live at the Rhode Island Adult Correctional Institute prison, as purported in its tongue-in-cheek liner notes. In the meantime, Phillips had left the band and Niemand had died of a drug overdose.〔C. Carioli, "Both sides now," ''The Boston Phoenix'', 11–17 March 2005 ((online )).〕 James Apt (bass) joined for the 1995 album ''Severe Exposure'', which represented a fusion of their synth- and guitar-driven sounds. It was during this time that the band began using their advance money from Sub Pop to buy recording equipment and build their own studio called The Parlour. Over the course of the next 3 years, the studio underwent a few physical renovations and upgrades in recording gear. The band became adept at recording and Ryan, Pelletier and MacLean were involved in recording projects with local Providence bands; Les Savy Fav, Astoveboat, Landed, Men's Recovery Project, flicker, The Olneyville Soundsystem, to name a few. The low-budget music video for the song "Parlour Games," from "Severe Exposure" and directed by Guy Benoit of Thee Hydrogen Terrors,was featured in an episode of Beavis and Butt-head. "Paranormalized" was a quick follow-up to "Severe Exposure", and while it continued in the same sonic vein, the album was decidedly less guitar focused, with more emphasis on layered synthesizers. The touring for this record was much more effective as the band played with Shellac, The Jesus Lizard, and Trans Am and was on the road for most of that year. A few of the songs became live set staples ("Slave Traitor", "The Greatest Hit"). The band's final full-length was ''Law of Ruins'', released in 1998 and produced by James Murphy. It was marked by a spacier sound, and was heavily influenced by Krautrock. The CD came in an entirely clear jewelcase with minimalist neon green graphic design/writing. Murphy had joined as live sound engineer the previous year as the band was increasingly aware of the importance of having its own soundman. Murphy had been recording bands in Brooklyn at Plantain Studios and playing with the band Speedking. The 'death from above" moniker was one that Speedking had appropriated from a US military logo. The band and Murphy mutually influenced each other and the punishing live show took on another sonic dimension with Murphy at the board. MacLean quit the band in late 1998 soon after the release of "Law of Ruins" and was replaced by Alex Minoff from the band Golden for the few tours dates the band had committed to that year. Minoff played live for a second short tour and then the band went on hiatus. In 1999, Ryan and Pelletier reformed the group replacing Minoff and Apt with Joel Kyack (guitar) and Shawn Greenlee (bass) from the group Landed. This incarnation of the group performed until 2001. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Six Finger Satellite」の詳細全文を読む スポンサード リンク
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